In the Donbass region of Eastern Ukraine, mid-2010s: a hybrid war takes place, involving an open armed conflict alongside killings and robberies on a mass scale perpetrated by Russian-separatist gangs. In the Donbass, war is called peace, propaganda is uttered as truth, and hatred is declared to be love. Life is suffused with fear and suspicion. What is real and what is fake news? Called “a darkly satirical omnibus of scathing vignettes” by the Washington Post, DONBASS (2018, 110 min) serves as a crucial interpretation of the Russo-Ukrainian war, but the film is not, ultimately, a tale of one region or one conflict. It is about a world lost in post-truth and fake identities. It is about each and every one of us.